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Monday, October 8, 2012

"THEATRE MADNESS" Showcase




 
 
Thespian Production's "THEATRE MADNESS" presents an evening of one-act plays, bringing you madness, mayhem, laughter, and excitement,  January 24 -26 at Joria Production, 260 W. 36th St., New York City. 
 
 
BIFF AND BLANCHE - written by John Twomey & directed by Anna Lakomy

Two second-rate thespians confront one another over an audition, their careers, their attraction for one another, and a cab.
 
TALKIN' TRASH - written by Charlotte Cox & directed by Mitchell Holmes

A humorous look at four household items tossed into the landfill. They scheme a way to escape the landfill and how their dreams to be recycled have been cut short.
 
THE EXHIBITION - written and directed by Judah Skoff

The audience witnesses a brief, shocking exhibition between the "subject" and the "object" in art.
 
DOWN ON HIS LUCK - written by Allan Lefcowitz & directed by Philip Waller
 
  When Rob is about to formally propose to Donna, a homeless person shows that charity brings     unexpected reward.
 
FEAR OF CLOWNS - written by Todd Wallinger & directed by Mike Metzel

  A clown seeks help from a psychiatrist for his lifelong fear of people.
 
TWELFTH DAY IN PARIS - written by Max Gill & directed by Kevin McNair

Stephanie and Justin are going through a separation, but are forced to work together when Marat, a Soviet spy, takes them captive in pursuit of a secret. The three realize their lives changed forever during a fateful meeting in Paris.
 
TWO-BIT BETTY AND DIRTY ED - written by Tom Deiker & directed by Nick Saldivar
 
  A handicapped couple meet at a homeless shelter and decide to pool their tattered resources.

FRIENDS AND MONSTERS - written by Mila Gobulov & directed by Daniella Caggiano
 
 Two drag queens wait for the arrival of Gaga. Along the way, the line between friends and monsters becomes increasingly unclear.
 
**Tickets will be on sale soon through brownpapertickets.com
 
 


Saturday, August 25, 2012

My View on Thespian Production & Playwriting



Writing plays is similar to writing stories, in that they have a beginning, middle and end, but the format and structure is completely different than a typical story. There are no set requirements to become a playwright. You don't need an education, but one may be helpful. Start out small, writing ten-minute plays to get the hang of script format. When you feel you've gotten your script polished enough to submit it, send it out. If you get rejected, send it out again. The joy of seeing your own play in performance is a worthwhile reward
 
I fell into playwrighting quite accidental.  I happened to run into a very important someone I had met years earlier.  Never did I know his love for theatre in bringing stories to life on the stage, and neither did he know my love of writing. It was our second go-round together that we discovered this passion was within each other.  So in a nutshell, the rest is history.  We have collaborated together well and still do.

I believe Thespian Production has a very bright future - many strides were made this year.  Moving forward, we are in the process of developing a non-profit theatre group, which will bring new and upcoming talent to the forefront - directors, playwrights, actors, from all over the country and hopefully, the world.  People of every age can benefit from Thespian - theatre lovers, young adults looking to break into the arts - it's all about community.  Every production is important, whether it is the one-act showcases or comedy events, but our premier event is the domestic violence awareness production, "A Different Kind of Love".
We at Thespian Production want to have fun and a good time at the shows, but domestic violence is a wide-spread, rampant issue in our society. It does not discriminate on race, culture, profession, or where you live.  "A Different Kind of Love" takes a look at domestic violence, and it will educate you and definitely entertain you at the same time. 

So stay tuned for Thespian Productions 2013 schedule on the website, which hopefully will be soon.  We had a great 2012, but I know 2013 is going to be the best year yet.  Many exciting and different things are in store.  Until then, take care...

Charlotte Cox






                    


 


Wednesday, August 8, 2012

A Different Kind of Love

A DIFFERENT KIND OF LOVE


Thespian Production strives to bring social issues to the forefront, believing in educating communities through entertainment.  Domestic violence is at epedemic proportions in our communities, affecting everyone - women, children, men - no matter your race, religion, economic status, or even where you live.  Domestic violence doesn't discriminate.  "A Different Kind of Love", written by Charlotte Cox, brings awareness to this social problem.  It is an enlightening, yet entertaining, play.  Please visit thespianproduction.com for upcoming production dates and locations.


Monday, July 9, 2012

City Scene Article 1976


CITY SCENE ARTICLE

An article from the City Scene, a newpaper started by Sam Walton in the 70's, demonstrates how We Care Media elevated the Harlem community through the youth.



Take a look at this advertisement from the City Scene.  This sales ad depicts the prices of 8-tracks, records, and cassettes in 1976.  How times have changed!  Does anyone remember these days?

Tuesday, July 3, 2012

August Slam-a-Thon



THESPIAN PRODUCTION AUGUST SLAM-A-THON

**Tickets are $8 if purchased online at brownpapertickets.com**

An evening of three one-act plays - production dedicated to New York playwrights.  Please join us for an exciting evening of one act plays!  Audience will vote for their favorite play/cast and the winning cast will win the cash prize.  Cast of plays:

      THEY ALL KNOW ME                written by Anne Phelan      directed by Christie Clark

      A CATTY NEIGHBOR                 written and directed by Matt Crowley

     HANKY PANKY WITH A YANKEE   written and directed by Tommy Jamerson

    

Tickets are $8 in advance at brownpapertickets.com.   $15 at the door
Bring a copy of the flyer or groups of five or more - tickets $10
     

                                                              

Sunday, June 24, 2012

Sam Walton - Filmmaker & Harlem Historian

12/13/48 - 2/21/12
            
SAM WALTON – Filmmaker & Harlem Historian

(& regular customer at Sylvia’s Restaurant for Sunday breakfast)

Sam Walton was born on December 13, 1948, and raised in Harlem on 137th and 8th Ave.  Growing up, Sam had reveled in stories of Harlem’s once glittering and sophisticated existence, even though the community he knew was a community crumbling apart.  By the time he entered his teenage years, drugs had permeated and swallowed the people of Harlem.  Sam Walton believed by investing in his community that others would remember and pass on a greater knowledge to those who have and will come after him.

Sam and his mother, Smyrna, along with his two brothers, Joe and Nick, lived in a very small third floor apartment.  This was in the 60’s before the projects started to get shabby – a time when everything was well kept.  As drugs seeped into Harlem, kids started tearing up places and hallways started reeking of disorder and stale urine.  Family was always an important part of Sam’s life – Aunt Pauline who lived on the floor above and Aunt Mazaree and her husband who used to babysit for Sam and his siblings.

Sam’s first job working in Ernie’s Barbershop was an important milestone.  He saved and saved until he had $8 to buy his first bicycle.  That bike meant a lot to Sam – it was his first self-earned possession, his first means to tour the sights beyond that little corner of Harlem.  No longer did he feel he would be standing on the corner watching the world go by.  As Sam started to venture out, wandering the streets as an adolescent, he intently watched the street sharks becoming community heroes and icons, bookies overtaking the streets, and the ease with which people were sucked into the corrupt lifestyle.  Law enforcement was losing its edge, and confrontation was becoming the coin of social exchange.  People were beginning to pay attention to national politics, and Sam began to notice a new breed of street preachers now sporting ties and black suits and spewing an angry attitude.

In 1965, Sam signed up for the Job Corp,, where he was sent to Camp Kilmer in New Jersey for the training program.  This is where Sam learned to take care of himself and wanted to dedicate himself to improve his roots – Harlem. 

Sam Walton, and his friend, Sam Gaynor, had been living in a basement apartment.  They were kind to neighborhood kids and even threw a huge birthday party for a neighborhood child who had never had a party before.  The intangible reward Sam had felt for this generosity urged him forward in his mission to help his community.  A few community groups had provided bus transportation to Bear Mountain and local trips to the parks in the city.  Soon Sam and Sam were getting lots of attention from more established groups that were recipients of federal provisions.  Emma Bowen, a leader in Washington Heights, put in a good word for them with Mamie and Ken Clark, organizers of the Northside Center who actually put in funds out of their own pockets for community services. A meeting ensued shortly after and they were on their way!

We Care Media Arts was founded in the late 1960’s to enable young people in Harlem to empower themselves through community service.  Early accomplishments include a job preparation program and a community newspaper produced by local youths called City Scene.  We Care Media Arts fosters a sense of pride by filming oral histories of long time Harlem residents and community leaders – emphasizing the cultural legacy and wisdom embodied by Harlem’s older citizens and spark inter-generational dialogue and positive community activism. HarlemTalking is a production of We Care Media Arts and introduces some of the men and women, from ordinary to famous personalities, who have lived and worked in Harlem.  Some of the elite interviews include Charles Rangel, Percy Sutton, Basil Patterson, David Dinkins, and Ella Baker.  The Youth Media/Leadership Program trains young people in communication skills, documentary filmmaking techniques, and introduces them to Harlem history.

Sam Walton put his mark on the community of Harlem by educating the youth and instilling in them a sense of pride and understanding of oral history, not to mention the skills learned while recording historical documentaries.  His legacy will remain in the hearts of those he touched and taught – a priceless gift to Harlem.
www.harlemtalking.org

Wednesday, June 6, 2012

Introduction

Thespian Production, a small community-based theatre group, is on a journey to bring awareness to social issues, such as domestic violence, homelessness, teen pregnancy, and going green  We will address issues important in our every day lives, enriching our own and those around us. This blog is a community forum to speak your mind.  Thespian wants to hear your views on the good, the bad, and the ugly - all those every day events that shape and sustain our lives.  There is never a dull story.